Song Keys

I’ve been on a worship flow crusade lately. You visit these famous megachurches and expect to be wowed by their expertise and it isn’t necessarily so.

On several occasions I’ve sat in a congregation of thousands only to see the worship leader and band sing a song, come to a complete, dead stop, then start another random song, come to another complete stop, sing another random song, etc. What?!

All that to say, don’t think megachurches have the corner on the music market. With planning and leadership, ANY church, no matter what size, can create a meaningful worship experience that will touch people’s hearts and lead them into God’s presence. The principles of worship flow apply to everyone, whether you have a full orchestra, a rocking band or just a piano and acoustic guitar. Quality is what counts, not quantity.

One thing you can do to promote healthy worship flow is to look at the keys of your songs.

I was talking to a worship leader about his praise set. He had a song in Db and followed it with a song in G. I asked him why he didn’t do the Db song in D. His reply was that Db is the original key.

You don’t have to do songs in the original key! In fact, I would advise NOT doing songs in the original key. In this artist-driven world of contemporary worship, the artist, typically a tenor worship leader, will record the song in a key that best fits his voice. This key is usually not singable by the mere mortals in your congregation.

As for the Db song, the flow would improve greatly by changing it to D since D and G are related keys. And do you know any guitarists who like playing in Db?

Here’s more about “related keys” at Wikipedia.

Here are a few songs from one of our typical praise sets at Brookwood Church:

Marvelous Light in B
Awesome Is the Lord Most High in G
Made to Worship in A

Tomlin originally recorded Made to Worship in C. Somehow our chart made it to A. Our worship leader has a great tenor voice and he can sing the song with no problem, but I suggested we do it in G. It’s a friendlier key for the average person, our worship leader still sounds great on it as it’s only a step lower, plus worship flow is helped because we can now flow smoothly from Awesome in G to Made to Worship in G. See how a little tweak can make a big difference?

Adam Fisher, our guitarist, has found a great little program for free called Chord Chart Wizard (Windows, Mac and Linux.) He creates all the charts in this program and can instantly change the key while keeping spacing intact. This is also handy for creating guitar capo charts.

This week, take a look at your praise set. Can better flow be achieved by changing the keys of the songs? Balance these three things:

Playability – is it in a hard key for guitarists to play?

Range – can the average person in the congregation sing it?

Flow – are the songs in the same or related keys to help smooth transitions?

Top 10 CCLI for week ending 10-02-2010

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1 Our God
Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves
Vamos Publishing/Said And Done Music/Thankyou Music/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
2 Mighty To Save
Ben Fielding, Reuben Morgan
Hillsong Publishing
3 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash
worshiptogether.com songs/sixsteps Music/Alletrop Music
4 Revelation Song
Jennie Lee Riddle
Gateway Create Publishing
5 Everlasting God
Brenton Brown, Ken Riley
Thankyou Music
6 Here I Am To Worship
Tim Hughes
Thankyou Music
7 How He Loves
John Mark McMillan
Integrity’s Hosanna! Music
8 Blessed Be Your Name
Beth Redman, Matt Redman
Thankyou Music
9 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton
Vamos Publishing/worshiptogether.com songs/sixsteps Music
10 Your Grace Is Enough
Matt Maher
spiritandsong.com/Thankyou Music

Looking for a Worship Leader?

Often I’ll get emails from pastors wondering where they can find a worship leader. I have no idea, they’re a scarce commodity. I wrote an article a few years ago that said you can almost commit murder and still find a job as a worship leader!

Schools haven’t been much help either with their ridiculous over emphasis on classical music (yeah yeah we need to know the classics blah blah but that’s all they teach with only a nod to the contemporary world. Try making a living on Bach.)

Then last week I had the wonderful opportunity to teach a few worship classes at Liberty University. I was completely blown away and immensely impressed. Love him or hate him, Jerry Falwell has built quite a place in Lynchburg, VA. It’s huge: nearly 12,000 resident students, 60,000 online students and 587 undergraduate worship majors. And the facilities… try snow skiing in August (watch this amazing video.)

Dr. Vernon Whaley, Chairman of the Department of Worship and Music Studies, has helped develop a program to produce something that Evangelical churches desperately need: worship leaders trained in contemporary worship!

When I arrived in Lynchburg (or any new town) my first order of business is to find a restaurant. Doc’s was right down the road from my hotel. It’s a Jerry Falwell-themed diner with memorabilia. Lots of students were running around and I immediately felt the energy of Liberty.

That evening I taught my first class on worship flow to Liberty grad and doctoral students who study online and visit the school every few months for intensives.

The next morning I spoke on blending hymns with contemporary worship to both graduates and undergraduates and was surprised to learn the legendary Don Marsh was sitting in my class! Liberty has lured this fine composer and arranger to the campus to teach music. Wow – that alone would make me want to attend Liberty.

One touching moment I experienced was attending Johannes Schroeder’s senior recital. He’s a German worship leader who was sent to Liberty by his church in Deutschland to study worship. This first half of his recital was classical and in a few weeks he’ll lead a praise band and demonstrate other contemporary worship skills for the second half.

I can’t say enough about the place – Liberty seems to have a great group of young people and teachers. The thing I really like is the strong Biblical, conservative stance (this is Jerry Falwell’s school, after all) yet the contemporary emphasis. I was quite surprised at how contemporary it is. And I discovered one of my favorite Christian artists, Meredith Andrews (who is the nicest, most normal and not stuck-up famous person you’d ever meet) is a graduate.

If you have teenagers interested in worship leading or Christian music as a career I suggest you have them take a look at Liberty. If you’re a worship leader looking to further your studies and degree, take a look at Liberty. And if you’re one of those churches desperately looking for a contemporary worship leader – take a look at Liberty – the next batch of graduates should be ready to enter the workplace in a few months!

Top 10 CCLI for week ending 9-25-2010

Sign up for the free weekly WorshipIdeas newsletter and have the top 25 songs delivered to your inbox every week.

1 Our God
Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves
Vamos Publishing/Said And Done Music/Thankyou Music/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
2 Mighty To Save
Ben Fielding, Reuben Morgan
Hillsong Publishing
3 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash
worshiptogether.com songs/sixsteps Music/Alletrop Music
4 Revelation Song
Jennie Lee Riddle
Gateway Create Publishing
5 Blessed Be Your Name
Beth Redman, Matt Redman
Thankyou Music
6 How He Loves
John Mark McMillan
Integrity’s Hosanna! Music
7 Everlasting God
Brenton Brown, Ken Riley
Thankyou Music
8 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton
Vamos Publishing/worshiptogether.com songs/sixsteps Music
9 Here I Am To Worship
Tim Hughes
Thankyou Music
10 From The Inside Out
Joel Houston
Hillsong Publishing

Finale or Sibelius?

Do you use notation software for worship? My recent poll shows 44% use Finale, 11% use Sibelius and 40% don’t use any at all (the rest use a variety of other notation software.)

From what I had always heard, Finale was supposedly the “industry standard” and it looks like most churches use it.

Until recently, Sibelius users could open native Finale MUS files. But all that changed with Sibelius 6. This latest version will no longer open Finale files, but will only open XML files exported from Finale and other notation software. And the XML doesn’t translate nearly as neatly as the Finale importer did.

So this has put me in a tail spin – should I start creating my HymnCharts.com arrangements and other music I write in BOTH Finale and Sibelius formats, or abandon Sibelius users completely?

If I decide to create my music in both formats this would mean I’d spend a small fortune to pay someone to convert all my Finale files to Sibelius – all 5,000+ pages of sheet music at HymnCharts.com alone. That doesn’t sound too exciting to me.

Recently a major publisher has expressed interest in distributing print versions (i.e. octavos) of some of my HymnCharts arrangements. They only want Finale files.

Then today I had the pleasure of meeting famed producer/arranger Don Marsh while I was teaching worship classes at Liberty University. He told me that, yes indeed, Finale is most certainly the industry standard and that’s all there is to it. True, he said, Sibelius may be easier to use but Finale is the norm. Major publishers who publish Mr. Marsh’s music want his originals only in Finale format.

So it looks like Finale is the winner here. A rule of thumb I generally follow is to side with the winner. If you notate music, use Finale. If you do graphics work, use Photoshop. If you build websites, use Dreamweaver, etc. In practical matters, don’t make life harder by being cute and using something artsy when the herd is using something else.

So Sibelius users, sorry about this. Maybe it’s time for you to start complaining. Perhaps Sibelius 7 will reintroduce the Finale MUS importer if you raise enough Cain. Until then, don’t uninstall version 5, or buy Finale Notepad if you need to export Finale files as XML.

Or switch to Finale. If you have any aspirations to someday have your music published, it might be a good idea.

Top 10 CCLI for week ending 9-18-2010

Sign up for the free weekly WorshipIdeas newsletter and have the top 25 songs delivered to your inbox every week.

1 Our God
Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves
Vamos Publishing/Said And Done Music/Thankyou Music/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
2 Mighty To Save
Ben Fielding, Reuben Morgan
Hillsong Publishing
3 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash
worshiptogether.com songs/sixsteps Music/Alletrop Music
4 Revelation Song
Jennie Lee Riddle
Gateway Create Publishing
5 How He Loves
John Mark McMillan
Integrity’s Hosanna! Music
6 Blessed Be Your Name
Beth Redman, Matt Redman
Thankyou Music
7 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton
Vamos Publishing/worshiptogether.com songs/sixsteps Music
8 Everlasting God
Brenton Brown, Ken Riley
Thankyou Music
9 Here I Am To Worship
Tim Hughes
Thankyou Music
10 Your Grace Is Enough
Matt Maher
spiritandsong.com/Thankyou Music

Should Kids Be Allowed In Worship?

After attending church with my parents the inevitable question came: “so where do you want to go to lunch?” My dad replied “Let’s go to that restaurant in North Carolina!”

The Olde Salty restaurant in Carolina Beach, N.C. made national headlines a few years ago with their “Screaming Children Will NOT Be Tolerated!” policy. It’s been a joke with me and my friends for the past few years – a trip to a restaurant is not complete until we hear a bawling brat.

My dad said he didn’t recall the constant public screaming thirty years ago. I guess as post modern parents become more and more self absorbed they just don’t care (or notice) how horribly their kids act in public. Sure enough, within 10 minutes of our Sunday lunch a kid at a nearby table threw a blood-curdling tantrum (and this was an upscale place that was definitely not child-friendly.)

All this, of course, begs the question: should children be allowed in the worship service?

It depends on your Church’s mission.

More liturgical and traditional Churches are geared for family worship – it’s a part of their DNA and churchified members expect it. A friend of mine at the PCA Presbyterian church I worked at proudly declared to me one day “I want my kids to be singing the hymns in the service with me!” (He would also calculate how many hymns we sang during the praise set and would let me know after the service if his quota was not reached. And now you know one of the reasons why I started HymnCharts.com!) Once after the service I ran into one of his kids – a boy about ten at the time. “What did you think of Church?” I asked. He replied “I HATE Church!” Of course he hated Church. He was bored. To. Tears.

I remember hating Church myself growing up (which is really funny since I have a degree in Church Music!) I hated it because I was bored. To. Tears. Those were the days before kid’s services, and I vividly remember sitting through our long-winded pastor’s two hour sermons. That weekly torture is one of my worst childhood memories.

Those who advocate for family worship are assuming the Christian cultural world-view of a Bible-believing family who attends church together dressed in their Sunday best (hence it works fine for traditional churches.) I don’t think family worship is as effective in our modern day where the parents may be even more clueless about Christianity than their own children.

It’s simple, really – don’t kids deserve a service tailored to them so they don’t end up “hating” boring adult church? (By the way, the kid I mentioned earlier grew up and today wouldn’t be caught dead at a church.) Bring the Gospel to their level. Songs in a key they can sing with words they can understand. Maybe a sermon about not pulling your sister’s hair would hit home a bit more than your typical baby-boomer-self-help-balancing-your-checkbook-type sermon.

If your Church’s mission is to seek, save and sanctify then a separate kid’s service makes more sense. It seems unchurched people DON’T necessarily care to have their kids in the service. My friend Joe told me he invited his unchurched co-worker to visit one Sunday and the first question she asked was “do my kids have to sit with me?” (This was at the PCA Church so no, she didn’t visit.)

Parents cannot be revived and renewed by the Holy Spirit working through the music and message if they are constantly fussing with their misbehaving children. My mother noticed this one week at church – a young couple were distracted the entire service by their unruly young children. Mom said “why’d they even bother to come? They didn’t hear a word of the sermon.” Their constant bustling distracted everyone around them, too.

One of the few Churches who have the guts to pull off a strict “kids not allowed under any circumstances” policy is Newspring Church in Anderson, SC. They mean it – NO children in the service under 6th grade – kids are invited to attend one of their spectacularly appealing kid’s services. I can only imagine the bashing their poor ushers get from irate housewives.

So should you allow kids in your service? This is one of those many issues where the correct answer is “it depends.” Your ministry’s mission will dictate the response. There will always be Church people who insist on it, but from what I’ve seen, successful contemporary Churches have such appealing children’s ministries that kids actually look forward to attending their own service.

Take the poll: Kids In Worship

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Disney’s Night of Joy

CMB’s (Christian Music Broadcasters) Momentum event was held this year at Disney World in Orlando FL. This is a time for Christian artists and record labels to schmooze Christian radio stations and premier new songs for radio play consideration.

The week was capped off with Disney’s annual “Night of Joy” – top Christian artists perform in the front of the castle and Space Mountain. This year’s artists included Chris Tomlin, David Crowder, Casting Crowns, Third Day, Mercy Me and Tenth Avenue North.

I hung out with drummer extraordinaire Jon Skaggs and keyboardist Joe Moralez – both were playing for Brandon Heath’s showcase (Brandon’s coming out with a new CD soon and was playing new songs for radio station programmers.)

It was weird entering the Magic Kingdom park hearing Phillips, Craig and Dean blaring over the sound system. All night long CCM songs played throughout the park as Christian teenagers ran amok screaming “We love Jesus, yes we do, we love Jesus, how ’bout you?”

Even with the bleak future of Christian music and drastically declining CD sales, the part was packed and crowds thronged around the castle and Space Mountain stages.

A highlight for me was waiting in line for Big Thunder Mountain Railroad when Chris Sligh’s new single, “Only You Can Save” started playing. I looked at Jon and said “didn’t you play drums on this? I did the strings!” Fist*Pump! Chris was also at Disney but was busy hosting the American Idol Experience over at the Hollywood Studios park.

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