Jamie Brown says things are not as simple for worship leaders/church music directors as they used to be.
There are now more songs to choose from than ever, at an increasingly rapid speed, coming from big publishers, independent artists, local churches, Christian radio, social media feeds, conferences, carrier pigeons, and their distant relatives, hipsters. Just when we’ve gotten a handle on introducing a new song to our congregation that was written in 2012, a newer new song comes along that’s even newer, making the new song we thought was new feel pretty old. Confused? You should be.
Studio albums. Live albums. EPs. Singles. Free downloads. Deluxe versions. Acoustic versions. Recorded on a beach versions. Recorded on top of a mountain versions. A lot of it is really good stuff! A lot of it is not-so-good stuff… And when you add it all together, it’s just a lot of new stuff to sort through, even if you had nothing else to do all week long than listen to all the new stuff. And even then you’d be out-of-touch if you took a few weeks off.
In the ancient past, known as the “1990s”, when a “new” song really caught on, like “Open the Eyes of My Heart, Lord” or “Shout to the Lord”, that new song (for better or worse…) stuck around in a church’s repertoire for a substantial period of time, even until present-day. Nowadays, in the era of worship song abundance (again, not a bad thing, just a more complicated thing), when a new song catches on, it might disappear several months later when new crop of new songs come on the scene.
What’s the result? Two things are happening: First, worship leaders are overwhelmed and inundated, possibly discouraged that they can’t keep up, and either resisting or succumbing to the pressure and marketing that screams at them to stay relevant. Second, congregations are being asked to learn more new songs than they can handle, aren’t given the opportunity to sing these new songs for years and years, are being fed songs that might not be particularly nourishing.